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            [post_date] => 2024-04-15 11:18:35
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[caption id="attachment_235613" align="alignnone" width="800"]<img class="wp-image-235613 size-medium" src="https://poetrysociety.org.uk/wp-content/uploads/2024/04/ignition-press-comp-1-800x267.jpg" alt="" width="800" height="267" /> ignition press poets (l-r: Janine Bradbury, Eira Murphy, and Eric Yip)[/caption]

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Join <b>ignition</b>press at The Poetry Café as we launch three exciting new pamphlets by Janine Bradbury, Eira Murphy, and Eric Yip.

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<b>Janine Bradbury</b> is a poet, critic, researcher, and teacher. Her poems have been published by <i>Oxford Poetry</i>, <i>Magma</i>, and the Emma Press. Janine was a recipient of a 2020 <i>Poetry London</i> Mentoring Prize, was a finalist for the 2022 Aurora Prize for Writing, and her work was shortlisted for the Oxford Brookes International Poetry Competition 2020.

<b>Eira Murphy</b> is a poet and writer from Liverpool. She is a previous Foyle Young Poet of the Year and has been published in <i>Banshee</i>, <i>Propel Magazine</i>, <i>Oxford Review of Books</i>, and <i>Post45</i>. Eira was also the Young Poet Laureate for Liverpool 2019-20 and was invited to take part in Simon Armitage’s Laureate’s Library Tour in 2021.

<b>Eric Yip</b> is a poet and writer from Hong Kong. He won the 2021 National Poetry Competition and was shortlisted for the 2023 Forward Prize for Best Single Poem. His poems have appeared in <i>Best New Poets</i>, <i>The Guardian</i>, <i>Oxford Poetry</i>, and <i>The Poetry Review</i>. Eric has performed his work at readings including in St Paul’s Cathedral as well as on air for BBC Radio 4. He is a former Poetry Society Young Critic for the T. S. Eliot Prize and a co-host of Ying Si Hat Yi, a Cantonese podcast on Anglophone poetry.

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            [post_date] => 2023-12-13 17:01:46
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            [post_content] => [caption id="attachment_219048" align="alignnone" width="536"]<img class="wp-image-219048 " src="https://poetrysociety.org.uk/wp-content/uploads/2023/12/24-05-09-Allott-Lecture-C.png" alt="" width="536" height="301" /> Don Mee Choi[/caption]

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<h2><strong>The Poetry Society Annual Lecture / University of Liverpool Allott Lecture</strong></h2>
The Poetry Society is delighted to announce that multi-award-winning poet Don Mee Choi will be making a rare visit to the UK to give the 2024 Poetry Society Annual Lecture.

This is the latest event in the prestigious Kenneth Allott / Poetry Society Annual Lecture series commissioned in collaboration with the Department of English, University of Liverpool. Each year, the series introduces one of the leading voices in international poetry to share a new lecture, accompanied by a short performance of their poems.

Born in Seoul, South Korea, Don Mee Choi is a highly innovative writer. Her work slips between forms, mixing poetry, lyric essay, memoir, and visual image. Incorporating archives, photographs and fragments of memory, Choi’s poetry explores historical events and the human impact of war. Her books include <em>DMZ Colony</em>, which won the 2020 National Book Award for Poetry, <em>The Morning News Is Exciting</em>, and <em>Mirror Nation, </em>which is forthcoming from Wave Books in 2024. Her translations into English of Kim Hyesoon include <em>Autobiography of Death</em> which received the 2018 International Griffin Poetry Prize.

The Poetry Society’s Annual Lecture Series has been proud to commission many of the most influential voices in international poetry. Poets who have given earlier lectures include Ilya Kaminsky, Anne Carson, Valzhyna Mort, Les Murray, Eavan Boland, C K Williams, Rita Dove, Terrance Hayes, Paul Muldoon, and Charles Simic.

<strong>This is an online version of the in-person event at the Tung Auditorium. Tickets for the in-person event are now available via the Tung Auditorium. <a href="https://thetungauditorium.com/events/allott-poetry-society-annual-lecture" target="_blank" rel="noopener">Details can be found here</a>
</strong>

For further information, please contact <a href="mailto:[email protected]">[email protected] </a>

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            [post_title] => Poetry Society Annual Lecture: Don Mee Choi (livestream ticket)
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            [post_date] => 2024-04-23 14:01:57
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            [post_content] => Join <strong>Polly Atkin </strong>and <strong>Young Poets Network </strong>for a free online writing workshop, where we'll be writing in response to the soundscapes of the world around us: think birdsong, sound poetry, and more... 

As part of the <a href="https://ypn.poetrysociety.org.uk/workshop/soundscapes-and-songworlds-a-poetry-challenge-with-people-need-nature/">Soundworlds and Songscapes challenge</a> on <a href="https://ypn.poetrysociety.org.uk/">Young Poets Network</a>, poet Polly Atkin will be running a poetry workshop for 14-25 year olds, inspired by the sounds of nature. You'll ignite your imagination and find new ways of thinking about the role sound plays in poetry. After the workshop, we encourage you to keep editing your work and submit it to the challenge, which closes on 17 May. 

<b>You will receive a Zoom link 24 hours in advance of the workshop. </b>Email queries to <a href="mailto:[email protected]">[email protected]</a>. 

<strong><img class="size-medium wp-image-237131 alignleft" src="https://poetrysociety.org.uk/wp-content/uploads/2024/04/Polly-Atkin-headshot-533x800.jpg" alt="" width="533" height="800" />Polly Atkin</strong> (FRSL) is a poet and nonfiction writer based in the English Lake District. She has published three poetry pamphlets and two collections – <em>Basic Nest Architecture</em> (Seren: 2017) and <em>Much With Body</em> (Seren: 2021). Her nonfiction includes<em> Recovering Dorothy: The Hidden Life of Dorothy Wordsworth</em> (Saraband: 2021), a Barbellion-longlisted biography of Dorothy’s later life and illness, and a memoir exploring place, belonging and disability, <em>Some Of Us Just Fall: On Nature and Not Getting Better</em> (Sceptre: 2023). In 2023 she and her partner took ownership of historic Grasmere bookshop Sam Read Bookseller.

 
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'oh god it’s wonderful to get out of bed & drink too much wine & think too much & love you so much' was highly commended in the 2024 Free Verse Prize

oh god it’s wonderful to get out of bed & drink too much wine & think too much & love you so much

by HLR

for Charlie, after Frank O’Hara

I’m in The Seven Stars, thinking about chiaroscuro & negative capability & sleeping
beneath blankets made of sandpaper; about rheumatic desire & how much I want
to take care of your priceless (he)art; thinking that my mysteries have their legs
wide open & that it is good poetry to crave somebody’s touch this badly; thinking
about why I insist on psychopathologising love (sweetie, not everything you feel is
a trauma response); thinking about how to gently explain to the mental health team
that I often want to cut my face off; thinking about doing Charlie in the bathroom
meaning something very different to me these days; thinking that I could have your baby
growing inside me right now & I wouldn’t know until I started showing/it’s too late; about how
I could’ve kissed the nurse when she said, If you lose any more weight, you won’t be able to
donate blood again; thinking about the time my ex asked the waiter for ketchup
in that Michelin-starred restaurant; thinking about Graves & graves & my pain
body being a Humboldt squid with tentacles made of lace; thinking about how I felt
so desperately depressed walking through the ‘JOY!’ exhibition; thinking about the linguistics
of tu me manques & suffering the semantics of you are missing from me; thinking about whether
I mind being objectified — my brain practises whispering Objectify me & it sounds fine, actually;
thinking that not everything has to be a poem but everything is poetry if you want it to be,
which I do, & I’m thinking about you handing me neatly gift-wrapped answers
to the question: what if it does work out?; thinking about the impossibility of being
a realist & a romanticist simultaneously; about the future receding & the dimple twisting
in your left cheek & the gold plaque attached to the back of the cinema seat that reads
LOVER. WILL YOU MARRY ME? GEEZER & wondering whether Lover said yes
& I’m thinking about the logistics of loss — about carrying half of my father’s cremains
in a gaffer-taped sugar bowl in my handbag on the Megabus to bring him here,
to deliver him home to Falmouth — & I’m thinking again about suicide (deciding whether
sucking the cyanide out of cherry pits would be an ineffective or a devilishly inventive way to go)
when the barman says that I look haunted, my darlin’ & I laugh — all mouth, no eyes,
no shoulders, no noise — & he says, Yep. See. Thoroughly haunted & it sounds so gorgeous
in his heavy Cornish accent, I stop thinking about how anchors are still drowned things,
stop thinking that our love is an emergency, start thinking that I don’t want to live by dying.

The Poetry Society was founded in 1909 to promote “a more general recognition and appreciation of poetry”.  Since then, it has grown into one of Britain’s most dynamic arts organisations, representing British poetry both nationally and internationally.  Today it has more than 5,000 members worldwide and publishes The Poetry Review.

With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, The Poetry Society champions poetry for all ages.

More about the Poetry Society…