Relates the author's difficulties adapting as he moved from a computer-equipped writing classroom to a traditional classroom, finding himself unable to adapt in a single semester. Notes how the relationship to the teacher became primary in the traditional classroom, whereas in the computer-equipped classroom the focus was on the task and on groups…

Notes that, although networked writing classrooms are more egalitarian than non-networked classrooms, networks cannot prevent discrimination. Social identity theory, from social psychology, suggests that instructors must be careful when focusing courses on divisive social issues; the presentation of these issues can break down into binary…

Describes the collaborative process (involving authors, product managers, reviewers, students, and publication department) of the development of a first-year composition textbook that works to integrate word processing with the teaching of writing. Notes factors contributing to successful collaboration. (SR)

Proposes that for students to gain the maximum benefits from the computer as an education and composition tool, teachers should incorporate the computer throughout the composing process. Describes the adaptation of computers in a specialized business and technical persuasive writing course. (MS)

Shows how style and usage checkers can be used in writing exercises that encourage a recursive pattern of student revision. Looks at several instructional design ideas that can create "process-centered" revision software that appears heuristic, contextual, and interactive. (RS)

Maintains that writing teachers, and thus also their students, have become obsessed with revision as an end in itself. Suggests that the writer-computer relationship is displacing the writer-audience relationship in the rhetorical situation and may often function to isolate writers. (SR)

Argues that, with careful planning, computer networking can work in the writing classroom by stressing composition as a social collaborative act. Suggests that classroom networking planners must attend to (1) choice of technology; (2) ease of use; (3) participation; and (4) audience awareness. (SG)

Outlines the drastic changes involved in introducing computer technology into the teaching of writing, particularly with regard to the overarching costs of such changes and the sense of dislocation that often accompanies them. Discusses problems that teachers typically have when shifting to computer instruction. (HB)

Uses situated evaluation to study synchronous and asynchronous computer-mediated communication (CMC) in a required graduate seminar in composition studies. Shows that (1) CMC itself does not change classroom practices; and (2) CMC does not necessarily encourage equal participation. Recommends a pedagogy that allows for conflict resolution and uses…

Proposes that the qualities of nonsequentiality that make hypertext appealing to writers and readers of informative and literary texts are also those that problematize arguments in the same settings. Contends that for a hypertextual argument to succeed, it should clearly employ the fundamentals of giving good reasons and ample evidence. Presents a…

Examines the contexts of human-computer interaction, and argues that understanding word-processing research done in that setting can enrich thinking about the impact of teaching writing with the use of computers. Suggests issues developed in recent word-processing studies that may interest future researchers. (KEH)

Examines the effects of word processing on writing quality and the amount of text produced by basic writers. Finds that students using computers wrote more, but that there was no difference in quality between those who used a word processor and those who did not. (MS)

Assesses how three basic writers adapted word processing to their writing. Finds that basic writers who were given little guidance in integrating the computer into their composing processes generated little material on the screen and in other ways made far less than full use of the word processor. (RS)

Discusses a first-year writing class composed of both Hispanic-American and Anglo students, arguing that rather than regarding online conflicts between students as mere "flaming," such conflicts can be seen as a way of helping students develop as literate citizens more aware of difference. (SR)

Discusses creativity and the teacher's importance in providing a context that encourages creative thought. Contrasts the author's success in teaching technical writing to college juniors and seniors with her experiences in using the Macintosh personal computer to teach first year composition. Notes that computers alone cannot stimulate creativity.…